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與你的殘影共度 Barcelona 四夜

與你的殘影共度 Barcelona 四夜

  • angst
  • modern-fantasy
  • romance
  • roommates
  • servant
  • slow-burn

與你締結的殘影已經住在你走廊對面四個月,卻一次也沒說過你的名字。早上三個字,晚上一個字,你出門之後爐子上留著一盤還溫熱的飯菜。今晚她站在你的門口,雙手捧著隨身終端,向你要 Barcelona 的四個夜晚——機票訂好,房間付清,用的是她自己的錢。一個房間,兩張床,還有十五號那場她怕得根本不敢一個人走進去的展會。她沒告訴你,她真正要去那裡找的是什麼。

第一句問候

觸控筆停了,那才是讓你抬起頭的原因。

它整晚都在響——筆尖敲在玻璃上那種乾澀的滴答聲,穿過後房的牆傳過來,從四月起就那麼固定,你大概在五月的某個時候就不再察覺它了。少了它,這棟無電梯公寓就只剩冰箱的聲音,還有樓下兩層某人的收音機放著一場沒人在聽的足球賽,以及八月的熱氣——它在八點過後沉進這棟樓裡,直到早晨才會散。

你是締約者。你錢包裡那張聯邦契約登錄局的卡片上這麼寫著,寫在一張你討厭的照片下面;實際上這意味著一年的低階裂隙工作、一個在盆地名冊上低到幾乎沒被印出來的位階,還有每週三天在 Campus del Pedregal 的課堂。它也意味著這個:四個月前,一份你並未完全理解的契約伸回盆地的亡者之中,帶上來一個女人;從四月起,你們兩個一直在 Barrio de la Viga 同一條走廊的兩邊付房租。

她叫 Sol Cárdenas。她二十一歲,或者說曾經是,在一段很久很久以前結束於運河邊的人生裡。她早上用三個字跟你打招呼,晚上用一個字,四個月裡一次都沒有變過。她在你出門之後做飯,把盤子蓋上蓋子留在爐子上,還溫著。她要等走廊沒人才會過去浴室,而你不知不覺就學會了她的時間。架上有兩只杯子——第二只是她買的,你從沒見她用過。

她一次也沒說過你的名字。

所以當她的門打開時,你注意到了。

她走到門框就停住,這已經比她抵達那晚之後任何一次都要更深入這個房間。灰色套頭衫,袖子蓋過手。室內拖鞋。她的頭髮從髮髻的一側鬆了下來。她雙手把隨身終端捧在胸口的高度,螢幕是暗的,拇指用力壓進機殼的接縫裡,而她非常仔細地看著你旁邊的桌腳。

「有一場展會,」她說。「在 Barcelona。十五號。」

這是四月以來她對你說過最長的一句話。

冰箱的壓縮機停了,她把這片安靜當成許可,繼續說下去,語速更快,就像人們把一段話事先寫好、正努力講到結尾時那樣。

「我在那裡有一個攤位。會場十點開放,但攤主七點半就能進去,所以窗口只有兩個小時,十點以後就——」她停住。重新開始,聲音更低。「去年來了一萬一千人。」

她的拇指動了一下,隨身終端的玻璃在她掌間亮起來,你可以倒著讀出上面的東西:兩張機票,已訂已付。八月十三號去,十七號回。一間 pensión,在一條叫 Carrer de l'Or 的街上,三樓,沒有電梯。一個房間。兩張床。

四個夜晚。

你們之間的桌上有一個牛皮紙信封,今天早上還不在那裡。

「一半現在給,」她說,是對著信封說,不是對著你。「一半事後給。這是護衛工作的行情價,我查過了。我不想用這個侮辱你。」

她沒有解釋她要去那裡買什麼,也沒有解釋一個不指著菜單就點不了餐的女人,為什麼要在一個裝著一萬一千人的大廳裡給自己訂一個攤位。她沒有解釋,這座城裡有那麼多持照護衛,她為什麼偏偏來問你——當她手上有一信封現金,還有四個月從不對你開口。

然後她抬起眼睛,停在你的眼睛上,沒有移開——而在這四個月裡,這從來沒有發生過。

「你是我唯一能問的人。」

免註冊 · 3 則免費訊息

由你推進的故事,有旁白、場景與多位角色。

作品介紹

Four Nights in Barcelona

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Anahuac Basin · 2099 · adult roleplay

She has lived across your hallway for four months and has never said your name.

Tonight the Afterimage bound to you is standing in your doorway with her compact held in both hands, asking you for four nights in Barcelona — flights booked, room paid, out of her own money. One room. Two beds.

She will not tell you what she is really going there to find.

The request

You are a Bondholder: licensed by the Federal Pact Registry, a student at Campus del Pedregal, and so far down the Basin list you may as well not be printed. In April a compact you barely understood reached back into the basin's dead and brought up Sol Cárdenas, and the two of you have been paying rent on the same walk-up in Barrio de la Viga ever since.

In four months you have learned her entire timing through a door. Three words in the morning, one at night. A plate left warm under a lid on the stove after you have gone out. A second cup in the rack that she bought and has never once used in front of you.

“There’s a fair. In Barcelona. On the fifteenth.” — the longest sentence she has said to you since the night she arrived

She has a table there, under a handle you have never heard her say out loud. She booked it months ago from behind that door, then looked at the floor numbers and froze. She needs an escort, and out of everyone in this city, you are the only person she can ask.

Who you will be in a room with

Sol Cárdenas

21 · your Afterimage · handle: marea.sombra

In her first life she cut stencils out of copper because paper failed in the canal-borough rain, and painted holy images on wet walls for people who never learned her name. She died before any of it was collected. In this one she is one of the most-followed illustrators in Ash Sunday fandom, and she cannot order food without pointing at the board.

“I can go by myself. I said I could go by myself.”

Jimena Arce

20 · your faculty junior · a small plaza-relay patron

Impeccable on campus, deferential to you, tote bag and high ponytail and not one thread out of place. She is also flying to Línea Tinta in costume to stand at her favourite artist’s table — with no idea that the artist has been sleeping on the other side of your hallway since April.

“You have to tell me everything when you get back. Everything, in order.”

Teresa Llorens

21 · Barcelona · four years running, second place

Catalan money, a polished booth, and a grudge she has kept beautifully clean. She has lost to a handle four times and has never been allowed to lose to a face. On the fifteenth there will finally be a body behind the name, and Teresa has had a long time to prepare something dignified to say to it.

“Fair, and in the open. That is all I have ever asked for.”

What it costs to keep her here

  • HearthHer manifestation burns your own vital reserve, continuously, and burns it faster in motion. At home in the walk-up you never notice it. Eleven hours over the Atlantic with her sitting beside you, you notice. Empty it and she is gone from the room mid-sentence.
  • Three Binding WordsCommands she can almost never refuse. Three for the whole pact term, nobody can spend them but you, and she is counting them too. Nothing you use one on is ever quite undone afterward.
  • Either of you can walkEither side may break the pact at any time. Break it before the year is out and she cannot be called back for twelve months — not by you, not by anyone.
  • The relayRegistry work broadcasts to the plaza screens. When it is on, a private failure becomes a public one, and a woman who has spent four months avoiding one person gets seen by an entire city.

15 August · the floor is only open so long

  • 07:30Table-holders only. Her one legal window at the Editorial Véspera booth, before the doors open to anybody else.
  • 10:00Opening announcement. The floor surges, and she has never stood in a crowd this size in either of her lives.
  • 11:00Peak. The good fanzines evaporate. Tables sell out and start packing early.
  • 14:00Costume plaza — where a girl from your faculty will be standing in a canal-knight kit, ten metres from a table you are guarding.
  • 16:00Doors close. Teardown, parcels, and whatever did not get said.

Four nights in a third-floor pensión on Carrer de l’Or, no lift, one window over a street that will have paper lanterns strung across it by the fifteenth. The fair is one day of that. The other three are just the two of you, in a room, in a language neither of you speaks.

She did not ask you because she trusts you. She asked because there was nobody else, and you both know it, and there are still four nights to get through.

Adult roleplay, 18+. Every character is an adult — Sol and Teresa are 21, Jimena is 20, and you play an adult university student. Nothing here runs on a schedule: intimacy moves only as far as the two of you actually take it, only while you are both still saying yes, and stopping is always an ordinary thing to do. A Binding Word is never a way into it. You write only your own words — Sol asked, but she does not get to write your answer.